Home | 8-9: Storytelling in brand communication
Marketing textbook, chapter 8
Communication policy โ Planning and decision-making processes for an advertising campaign โ Designing the advertising message โ Content aspects of ad design (section 8.3.7.2)
In brand communication, storytelling is currently regarded as a particularly effective technique for the emotional staging of brands (see section 8.3.7.2). The main reason for this is the importance of stories for our brain. The episodic codes of a brand, which are usually created with the help of commercials, are particularly effective at โtouchingโ consumers emotionally via the effect of mirror neurons, which is the basis for emotional brand loyalty.
The Hornbach DIY chain has been using storytelling in its brand communication for many years to vividly convey the Hornbach brand claim โThere's always something to doโ for every hobby craftsman - even the less experienced ones. The topic of โsuccessful craftsmanship by amateursโ is presented in ever new, humorous and above all bizarre stories. The campaign โEvery change needs a beginningโ is particularly impressive.
โThe advert, directed by Spanish director Pep Bosch and shot in an Eastern European village, is reminiscent of a documentary. The ambience is romantic, almost poetic with nostalgic echoes (production: Trigger Happy Productions, Berlin). There is a narrator who tells the story of his village: Over the years, people have forgotten how to use their hands. The houses have fallen into disrepair. But one day, a gigantic nut appears out of nowhere. At first, the villagers can't do anything with the mysterious object. But suddenly a piece breaks out of the nut and reveals its interior: it is filled to the brim with tools. This marks the decisive turning point. The people rediscover their hands and all set about renovating their houses and gardens. The story is typical Hornbach: a little bizarre at first glance and yet it leaves plenty of room for interpretation. โWith The Nut, we deliberately wanted to create room for manoeuvre, raise questions and create a myth that viewers could engage with,โ says von Bechtolsheim. The film will certainly attract attention in the advertising block because the documentary style represents a break from the mass of mainstream commercials. The music in the background is quiet and discreet, the message is conveyed clearly and comprehensibly - possibly more comprehensibly than was the case with some previous adverts."

Additional material for the individual chapters:
3-2: Telecoms advertising - importance of mirror neurons for emotional reactions
3-4: Measuring implicit attitudes using the implicit association test (IAT)
3-6: Subjective perception: Are two tables identical or not?
3-7: The eye eats too: Visual perception influences our feeling of hunger
3-8: Febreze: Importance of habitualised decisions for marketing
4-2: Operationalisation and measurement of the environmental orientation of EU citizens
4-5: Screening questionnaire for the realisation of a predefined sample
4-6: Conception of an interview guide for a qualitative survey
4-7: Observation of individual eating behaviour in the โrestaurant of the futureโ
4-8: Product positioning: Positioning a smartphone brand in the competitive environment
4-9: Testing the preference effect of smoothie properties using choice-based conjoint analysis
7-1: Kindle Fire - Influencing the perception of net benefit through advertising
7-2: Determining the optimal electricity tariff using choice-based conjoint analysis
7-4: Influencing perceived price favourability through umbrella pricing
7-7: High attractiveness of private financing and leasing offers for cars
8-1: Product positioning: Code analysis of the brand presence of two sparkling wine brands
8-12: Advertising impact analysis of digital communication tools
8-3: The power of megatrends and the future of safety and quality
8-5: Guerrilla communication: using a neo-Nazi march for a good cause
8-7: Integrated communication using the example of the Hypoxi brand
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